risks related to China

I was invited to the Beijing International Photo Festival in 2016. Because I had gained a certain level of visibility within the EU, I suppose I had “strategic value” for them—the people at the core of the Chinese establishment. For the exhibition, I prepared ten B1-size prints, and additionally around twenty B2-size prints intended as gifts for important figures.

During my stay, I was repeatedly invited to dinners with people who appeared to be the heads of intelligence agencies—men with an unsettling presence—the mayor of Beijing, the chief of police of the Inner Mongolia Autonomous Region, and others who seemed to be powerful figures from the business world. Throughout this time, the scale of the hospitality was overwhelming. I was lodged in what felt like a castle, riddled with labyrinthine corridors.

As for myself, I was merely a photographer who was somewhat known in the EU but completely unknown in Japan (apparently, they assumed I was also famous there). Even so, this level of hospitality continued day after day. On the final night, I encountered what, in retrospect, was clearly a honey trap.

A charming female graduate student who had been assigned to me as an interpreter escorted me to my room, as if reluctant to say goodbye. Under ordinary circumstances, it might be considered polite to invite her inside, but I declined. Intuitively, I sensed that hidden cameras were likely installed everywhere.

I was able to stop myself because I do not drink alcohol. Had I been drinking, I probably would not be able to write an account like this today. Ninety-nine out of a hundred people would fall into such a trap, become pro-China or submissively aligned with China, and eventually be forced into a relationship of dependency and subjugation.

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Tetsuro Higashi

I was born and brought up in Tokyo Japan. Now I teach mathematics . At age 20 I took up painting. I took up taking photos before 5 years. I have learned taking photos by myself . I grew up while watching ukiyo-e and have learned a lot from Sandro Botticelli , Pablo Picasso. Studying works of Rembrandt Hamensz . Van Rijn, I make up the light and shadow. * INTERNATIONAL PHOTO EXPO 2015 / 26 February ~ 31 March Piramid Sanat Istanbul, Turkey * World Contemporary Art 2015 Nobember Piramid Sanat Istanbul, Turkey * Festival Europeen de la Photo de Nu 06 ~ 16 May 2016 Solo exposition at palais de l archeveche arles, France *2016 Photo Beijing 13~26th October *Sponsored by Tetsuya Fukui 23 February - 02 March 2019 Cafe & Bar Reverse in Ginza,Tokyo,Japan *Salon de la Photo de Paris 8th – 10th – 11th 2019 directed by Rachel Hardouin *Photo Expo Setagaya April 2020 in Galerie #1317 *Exhibition NAKED 2020 in Himeji    Produce : Akiko Shinmura      Event Organizer : Audience Aresorate December 1th ~ 14th  2020

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